Ctrl+P: Photography taken offline – Kelly Catarino

Catherine Edelman Gallery is pleased to present Kelly Catarino, our current Ctrl+P: Photography Taken Offline artist! It was a joy for us to watch this exhibition grow day by day last week. The artist’s photographs and immersive installation will be on view through July 7, 2018.

Installation view
Kelly Catarino (b. 1996, CT) is a photographer currently based in Chicago, IL. Her practice uses collage techniques to explore constructed landscapes, perception, and the space between virtual and physical space. She is pursuing her BFA (2018) at the School of the Art Institute of Chicago.

 

From the artist: “Garden is an ongoing series that examines the site of the garden and its relationship to construction, escapism, and the desire to feel connected with nature. I use collage as a strategy for imagining constructed landscapes through its ability to simultaneously collapse time, space, and place. My photographs are multi-dimensional amalgamations that mix personal photographs, stock photography, and fake plants to play with variations in resolution between a multitude of images and image sources. These constructions play on photography’s ability to act as both mirror and mediator by creating a hyper-saturated world that attempts to blur the line between reality and fiction.”

Installation viewInstallation viewOpening reception

LINKS:
Kelly’s website
Hyperallergic


Ctrl+P: Photography taken offline is an initiative at Catherine Edelman Gallery inspired by the hundreds of photographs we see on blogs and online galleries. Started in January 2011, Ctrl+P provides further exposure for new artists we find while searching the web, exhibiting a small selection of one person’s work every two months, taking the pictures offline and putting them on the wall. It is our goal that Ctrl+P will provide further exposure for these photographers away from the glow of a computer monitor and without the temptation to click to the next link. We hope you will join us by unplugging from the Internet and visiting CEG to see these photographs the way they were intended—in print.

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“Francesco Pergolesi: Tableaux” opens tomorrow!

Catherine Edelman Gallery is pleased to present, Tableaux, the second solo exhibition by Italian photographer, Francesco Pergolesi (b. 1975, Venice). The show opens May 4 and runs through July 7, 2018.

There will be an opening reception tomorrow, May 4, from 5:00 – 7:00 p.m. The artist will be in attendance.

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Two years ago marked the American debut of work by photographer Francesco Pergolesi, who was raised in Spoleto, an Italian village filled with artisan shops and small businesses. His past exhibition, Heroes, featured work inspired by the people and places from his childhood that are slowly disappearing: the watchmaker fixing old time pieces; the frame shop where hand-milled frames line the walls; and the local cobbler whose walls are covered with leather hides. Working in collaboration with the shopkeepers, Pergolesi presents narratives that honor the past, while preserving the present. Work from Heroes is presented as small boxes lit from within by a LED light. New pieces from this series will be on display.

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Tableaux continues his commitment to the people living in small towns in Italy, where human relationships are still the center of daily life. In Pergolesi’s newest series, he focuses his attention on the work surfaces that bear the markings and history of time. This can be seen in photographs of mathematical calculations, assorted tools used for framing, leather remnants discarded on the floor, and a paint splattered table that looks like a modern day Jackson Pollack. As he states:

“Tableaux is a project dedicated to the worktables of artists and artisans… Every table is a canvas generated unconsciously, thanks to the traces of daily work. The material is the tangible representation of memory… every detail becomes magnified, emphasizing the worth and uniqueness of the artisan’s work. The worktable is a reliable place, an esoteric shelter where day after day, year after year, generations repeat skillful gestures, generating ideas and solutions. It is a place where one puts together and transforms materials.”

Tableaux marks the artist’s foray into different ways of presentation, displaying the works as large scale mounted photographs and memory boxes. Upon entering the gallery, the viewer sees 21-12, a photograph of watch parts and gears, scattered on a workbench. On a pedestal sits a linen box that when opened, contains photographs along with objects from the artisan’s shop, creating a memory of the person and place depicted. Through these new pieces, Pergolesi honors the skill and labor slowly losing ground to automation.

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Francesco Pergolesi sees himself as a guardian of a vanishing world where people congregate to talk about families and daily activities. Every Hero unearths a person from his past… and every photograph becomes a new theater set, inspiring him every day, as he continues to wander the streets looking for a connection

With support from the Italian Cultural Institute of Chicago.

See the entire exhibition on our website here.

Barbara Diener added to The Chicago Project!

CEG is excited to announce our latest addition to The Chicago Project, Barbara Diener! Born in Germany in 1982, Barbara Diener received her Bachelor of Fine Art in photography from the California College of the Arts and Masters in Fine Art in Photography from Columbia College Chicago. Diener received critical acclaim for her series Sehnschut, and recently debuted a book of her newest series Phantom Power at Daylight Book‘s AIPAD 2018 booth.

Tracing Spirits (American Flag), 2015 © Barbara Diener
Tracing Spirits (American Flag), 2015 © Barbara Diener

From the artist: “In my previous body of work, Sehnsucht, I photographed in small, rural towns that triggered childhood memories. During that process I met and became fascinated with a woman named Kathy. She owns the diner in her town and lives on her husband’s family farm, which is haunted by his ancestors. Her belief in the spectral sparked my own interest in the unexplained and ties back to my ongoing curiosity about religion, spirituality and the human desire to believe that something else happens after we die and that a part of us–the spirit or soul–continues on.

Infrared+Tree
Infared Tree, 2016 © Barbara Diener

“The camera is a crucial tool for most paranormal investigators, so it was a natural step for me to become an amateur ghost hunter myself. Photography has been linked to the spirit world since the 1860s with the popularity of spirit photography and post-mortem portraits. Since its invention photography has lent a sense of immortality to its subjects. In recent years the paranormal has received amplified media attention through numerous ‘reality’ television programs that sensationalize any phenomena for the camera. On the contrary my approach is self-reflective and curious. To make the resulting images I have adopted both traditional and contemporary methods of capturing the invisible, as well as employed my own interpretation of the magical and mystical.”

Hollow+Log
Hollow Log, 2017  © Barbara Diener

Diener’s work has been exhibited at Alibi Fine Art, Museum of Contemporary Photography, Hyde Park Art Center, Hyde Park, David Weinberg Gallery, New Mexico Museum of Art in Santa Fe, Griffin Museum of Photography, Invisible Dog Gallery, Lillstreet Art Center, Riverside Art Center, Pingyao Photo Festival, The Arcade, Philadelphia Photo Arts Center, Darkroom Gallery, and Project Basho among others. Diener’s photographs are part of several private and institutional collections including the New Mexico Museum of Art and the Museum of Contemporary Photography.

The artist has participated in highly ambitious artist residency programs, including the Fields Project in Oregon, IL and ACRE in Steuben, WI, as well as HATCH Projects 2015-2016 through the Chicago Artist Coaltition.

Diener is a winner of Flash Forward 2013, the recipient of a Follett Fellowship at Columbia College Chicago and was awarded the Albert P. Weisman Award in 2012 and 2013. In addition, Diener received an Individual Artist Grant from the Chicago Department of Cultural Affairs and Events in 2015. She is the Collection Manager in the Department of Photography at the Art Institute of Chicago and teaches photography at Oakton Community College and at the School of the Art Institute.

See more of Barbara Diener’s work on the Chicago Project website here.

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The Chicago Project is an online gallery initiative by Catherine Edelman Gallery, devoted to new and established photographers in the Chicago area, who we feel deserve recognition. It is our hope to expose local talent to a wider audience and we plan on adding photographers as we find them. If you are interested in learning more about the Chicago Project or would like information on how to submit, click HERE.

Catherine Edelman Gallery representing Garrett O. Hansen!

Catherine Edelman Gallery is excited to announce our newest represented artist, Garrett O. Hansen! You may recall seeing Garrett’s Chicago-specific work titled Memorial, as well as his Silhouettes series of laser-cut mirrors in our summer 2017 exhibition, Targeted. Garrett O. Hansen (b. 1979, NYC) graduated from Grinnell College, where he studied economics and political science. He completed his MFA in photography at Indiana University and has taught at several universities in the United States and in Asia; he is now an Assistant Professor of Photography at the University of Kentucky. Garrett has had numerous solo and group exhibitions in the United States, Europe, Indonesia, and Japan.

“Roughly 40% of US households have a gun and there are enough guns – approximately 300 million – to arm nearly every man, woman, and child in the country.”

At the core of The Void series is a desire to consider these facts and to create a set of images that speaks to their implications. Each of the images is created from individual bullet holes. While shooting is fundamentally a destructive act, by bringing these holes into the darkroom, enlarging them and then processing and printing the results, the artist is able to balance this destruction with creation. The viewer is presented with images that speak to the sublime – they are both attractive and terrifying at the same time. In many ways this reflects our own opinions of guns in America, a country where the debate between rights and controls continues to rage.

While The Void series deals with the power of the single bullet, the Silhouette series engages the broader culture of guns in America. Garrett visits a local gun range and collect the cardboard backings that are used behind their standard target. The targets depict an unarmed man’s silhouette, a highly common target throughout civilian and police gun ranges. Each shooter is presented with a fresh target, while the backings slowly erode from the thousands of rounds shot at the unarmed man. The groupings that one most often sees are in the chest and head areas. The artist collects the pieces of cardboard and bring them into the darkroom, where he makes full sized contact prints of them.  These prints are then scanned and form the basis for the final pieces. The final pieces are made of mirrored plexiglass and are one-to-one replicas of the original cardboard backings. As viewers approach the piece, they see their own reflections hollowed out by the countless bullets.

The third component to this ongoing project is comprised of bullets that have been collected from gun ranges. Each bullet, sculpted by impact with a ballistic steel wall, takes on a dramatic new form. The contorted shapes speak to the inherent violence in shooting and the transformation of each fired bullet from a sleek projectile into a twisted shard of lead. As with The Void series, this work deals with the complex connections between destruction and creation.

The latest component to this ongoing series is entitled Memorial. Each piece documents gun deaths in a particular place and for a particular length of time. The first incarnation of this work entitled Memorial – Kentucky, 2016 is comprised of twelve panels. Each panel represents a single month in Kentucky and records every homicide involving a gun that occurred during that month. This work acknowledges and lays bare the heavy price of having a heavily armed civilian population.

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Installation view, comparing the city of Chicago to the state of Kentucky.

You can read an in-depth article about Garrett from the The Trace in conjunction with Targeted, and watch Catherine speak with Garrett in his July 2017 Artist Talk below.

 

Final hours of The Photography Show!

As this year’s installment of AIPAD comes to a close, we want to thank all who have visited our booth this week! We’ve enjoyed meeting so many new people and catching up with old friends. Screen Shot 2018-04-07 at 3.52.29 PM

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Revisit all the highlights here, on TwitterInstagram and Facebook. Grab last-minute tickets  to the fair here, and be sure to visit Booth 402!

The Photography Show, presented by AIPAD
Pier 94, 711 12th Avenue at 55th Street
New York, NY 10019

Hours:

Sunday, April 8, 2018

VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 6:00 p.m.

#AIPAD2018 #ThePhotographyShow @AIPADphoto @edelmangallery

Spend your Saturday at AIPAD 2018

It’s been an amazing week at AIPAD, and there are still two full days left of the fair! ARTnews was at Wednesday’s VIP preview and included us alongside their highlights of The Photography Show, which you can read here. Learn more about a few of our featured artists below, and visit us today at Booth 402!

Daniel Beltrá

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Indonesia new palm terraces (#9), 2009 © Daniel Beltrá

Born in Madrid, Spain, Daniel Beltrá is a photographer based in Seattle, Washington. His passion for conservation is evident in images of our environment that are evocatively poignant. His striking, large-scale photographs are shot from the air. This perspective gives the viewer a wider context to the beauty and destruction he witnesses, as well as revealing a delicate sense of scale. After two months of photographing the Deepwater Horizon Gulf Oil Spill, he produced many visually arresting images of the man-made disaster. His SPILL exhibit premiered in August 2010 and has toured around the globe since then.

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Amazon scarlet ibis (#222), 2017 © Daniel Beltrá

Over the past two decades, Beltrá’s work has taken him to all seven continents, including several expeditions to the Brazilian Amazon, the Arctic, the Southern Oceans and the Patagonian ice fields. For his work on the Gulf Oil Spill, in 2011 he received the Wildlife Photographer of the Year Award , the Lucie Award for the International Photographer of the Year – Deeper Perspective, and was chosen as one of the six finalists for Critical Mass for Photolucida. In 2009, Beltrá received the prestigious Prince’s Rainforest Project award granted by Prince Charles. Other highlights include the BBVA Foundation award in 2013 and the inaugural “Global Vision Award” from the Pictures of the Year International in 2008. In 2007 and again in 2018, he received awards for his work in the Amazon from World Press Photo. Daniel’s work has been published by the most prominent international publications including The New Yorker, Time, Newsweek, The New York Times, Le Monde, and El Pais, amongst many others.

Daniel Beltrá is a fellow and board member of the prestigious International League of Conservation Photographers.

Elizabeth Ernst

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Pearl the Lunch Lady at Shady Grove Nursing Home, 2017 © Elizabeth Ernst

For more than 12 years, Elizabeth Ernst has created art about the people and entertainers affiliated with the G.E. Circus, a small family owned circus of aging performers. Ernst’s newest works take us into the Shady Grove Nursing Home, located in Clarence, NY, where several of the G.E. Circus performers have retired. Elderly, and suffering from various circus related ailments, many of the G.E. regulars find themselves waiting out their days telling stories about the good old days, substituting facts when their memories fade. But this is no ordinary nursing home. Shady Grove is situated next to a beautiful lake, and has all of the amenities one can ever desire. At Shady Grove, Elizabeth Ernst’s cast of characters share their remaining years with us, as they reflect, dream, fantasize and embellish their personal histories to staff and visitors. Through their eyes, we experience the difficulties and richness of circus life, as it continues to change and evolve.

Elizabeth Ernst is a professor emeritus at Columbia College Chicago, where she taught for 25 years.  She is the recipient of numerous Illinois Arts Council Fellowships in Photography, and two Faculty Development Grants from Columbia College. Her work has been exhibited nationally and was recently featured at the Mimi and Ian Rolland Art Center, University of Saint Francis, Fort Wayne, IN. Elizabeth Ernst lives and works in Chicago.


Kate Breakey

Kate Breakey (B. 1957 Adelaide, South Australia) is best known for her large-scale photographic work with birds and flowers that she painstakingly brings back to life with colored pencils. These pieces can be seen in two monographs, Small Deaths (2001) and Flowers/Birds (2003). In 2014, Breakey turned her focus to the land, and the small details of everyday life: a hummingbird resting on a tree limb, a wilting tulip, figs on a counter, the moon setting over the mountain, trees swaying in the evening dusk. Produced as Orotones (prints made on glass and backed with 23k gold leaf), Breakey creates small objects that command our attention, using an early technique to comment on the beauty, fragility and simplicity of her daily surroundings.


Laurent Millet

For more than twenty years, Laurent Millet has channeled his innate curiosity to create photographs that question the way objects appear within space and time. Citing R. Buckminster Fuller and Denis Diderot among his influences, Millet creates an artistic vocabulary through metal wire, vineyard posts and barrel hoops – objects prevalent in the coastal town of France in which he resides.

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Cabane 17, 2000 © Laurent Millet

There is a rich history of artists constructing environments simply to be photographed and then disassembled. These created realities were prevalent in the 1980s, as works by Sandy Skoglund, Bernard Faucon, Bruce Charlesworth, James Welling and other artists burst onto the scene. All of these artists worked with objects to create a narrative, captured by the camera. Laurent Millet (b. 1968 France) continues to work in this tradition, using various 19th c. printing techniques to magnify his vision.

As he stated in a 2014 interview in L’Oeil de la Photographie: “I felt like I had to take refuge in something that was comforting and reassuring… This idea brought me back to what I did as a child in the countryside when I would play with wood and stones. I rediscovered that pleasure as an adult… Starting with the first things I built, fishing machines, I felt like a world was opening up in which I could really exist. These objects are powered by my personal fictions, my dream of another life. The photograph is proof of that, a record of the moment, a reward.”

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La Chasse 16, 2002

Laurent Millet’s work can be seen in numerous publications including his 2014 book, Les Enfantillages Pittoresques (Filigranes Editions) and in major museum collections, including The Art Institute of Chicago, Maison Européenne de la Photographie (Paris), San Francisco Museum of Modern Art, Los Angeles County Museum of Art, and Fonds National d’art Contemporain (Paris), among others.

 

View all the work on view in the booth on our website here. Follow along here, TwitterInstagram, and Facebook for highlights and behind-the-scenes images throughout the week.

The Photography Show, presented by AIPAD
Pier 94, 711 12th Avenue at 55th Street
New York, NY 10019

Hours:

Saturday, April 7, 2018

VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 8:00 p.m.

Sunday, April 8, 2018

VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 6:00 p.m.

#AIPAD2018 #ThePhotographyShow @AIPADphoto @edelmangallery

Day two of The Photography Show!

AIPAD 2018 installation view
Gregory Scott (left) and Clarissa Bonet (right) at AIPAD 2018

We’re back at Pier 94 for Friday of The Photography Show! Thanks again to everyone who visited us yesterday and so far this morning. Today we’re featuring the work of five photographers whose work you will find in Booth 402!

Clarissa Bonet

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SL.2018.0222 Chicago, 2018 © Clarissa Bonet

Clarissa Bonet lives and works in Chicago.  Her work explores aspects of the urban space in both a physical and psychological context. She received her M.F.A. in photography from Columbia College Chicago in 2012, and her B.S. in Photography from the University of Central Florida. Interested in the physical space of the city and its emotional and psychological impact on the body, she uses the camera to transform the physical space into a psychological one, providing a personal interpretation of the urban landscape. Her work has been exhibited nationally, internationally, and resides in the collections of The Museum of Contemporary Photography’s MPP collection, The South East Museum of Photography, and The Haggerty Museum. She has been awarded multiple Chicago Individual Artist Grants and was most recently curated into a group show at the Bauhaus Archive Museum in Berlin, Germany. Images from Bonet’s series Stray Light and City Space are on view.

 

Gregory Scott
Gregory Scott has always blurred the lines between painting and photography, incorporating paintings he did of himself, or his body, back into his photographs. The resulting images were both humorous and odd, challenging the viewer’s perception of photographic truth. Then, at the age of 49, Scott decided to go to graduate school to strengthen his knowledge of art history and video making. Having successfully merged his love of painting and photographs, his interest turned to video and its ability to move and manipulate still images.

rothko_chapel
Rothko Chapel, 2018 © Gregory Scott

Continuing to use himself as the model, Scott creates narrative pieces which use illusion and surprise to tackle issues ranging from identity and loneliness, to the way the art world has pigeonholed the various mediums in which he works. In his pieces, Scott challenges the definitions placed on photography, painting and video, expanding its discourse.

Rothko Chapel, 2018 from Catherine Edelman Gallery on Vimeo.
We are debuting Gregory Scott’s newest piece, “Rothko Chapel, 2018, based on  the space in which the painter’s 14 murals are installed in Houston, Texas. As many people know, photography is not permitted inside the chapel, but that did not stop Gregory. As a former model maker, he painstakingly built the chapel in his studio, creating his own access to its interior. The 7 minute video explores the experience of being inside the chapel, where meditation takes over, dreaming is encouraged, and the mind is free to imagine.

 

AIPAD 2018 installation view
From left to right: Tami Bahat, Francesco Pergolesi, and Gregory Scott.

Tami Bahat
Tami Bahat is a fine art photographer from Tel Aviv, Israel. Raised by a former dancer and a graphic artist, Bahat’s family resettled in Los Angeles when she was a child. Championed by parents who encouraged her artistic expression, Bahat experimented in various media, finding her voice as well as her place in the world. She left school at the age of fifteen and was given guidance by her father, who had taught at Bezalel Academy of Arts and Design in Jerusalem. He encouraged her independent study, through workshops and seminars of art history, photography, sculpture and design, further enhancing her creative vision. A series of family trips around the world exposed Bahat to humanity as a whole and the myriad ways that people live, providing her with a keen awareness of the beauty and loss that an earthly existence brings, an undertone in much of her work.

Bahat’s fine art career began in earnest in 2010, when her photography was noticed by the editor of the U.K. publication, Nikon Owner Magazine. He was struck by her bold and imaginative approach and featured one of her portraits on the cover, along with an article detailing her as an artist. From this she participated in a series of photo events and speaking engagements, including Photo LA. Most recently, her work has been exhibited at photography events internationally, including Fotofever (Paris), AAF New York and Hong Kong, as well as the LA Art Show. Bahat was selected as a Critical Mass finalist in 2016 and invited to attend Review Santa Fe 2017. She currently lives and works in Los Angeles, CA. We are showing a selection images from Bahat’s series Dramatis Personae.

Francesco Pergolesi
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Francesco Pergolesi was born in Venice in 1975. After finishing his law degree, dedicated himself entirely to photography. He is an artist-photographer whose work explores the territory of memory. Every single shot from his series Heroes is a kind of a theater scene. His subjects are revealed in the lights and shadows reminiscent of Flemish paintings. He lives and works between Spoleto, Rome and Barcelona. His second solo-show with CEG, Tableaux, will open May 4, 2018. We are presenting one image from this new series at The Photography Show.

“Tableaux is a project dedicated to the worktables of artists and artisans… Every table is a canvas generated unconsciously, thanks to the traces of daily work. The material is the tangible representation of memory… every detail becomes magnified, emphasizing the worth and uniqueness of the artisan’s work. The worktable is a reliable place, an esoteric shelter where day after day, year after year, generations repeat skillful gestures, generating ideas and solutions. It is a place where one puts together and transforms materials.”


Bettina von Zwehl
Installation view AIPAD 2018Bettina von Zwehl was born in Munich in 1971 and received an MA from the Royal College of Art (RCA), London, in 1999. She has built her international reputation on subtle and distinctive photographic portraits. As her practice has developed, she has continued to seek out different ways of exploring the form; from her early works, most often defined by the exacting conditions she imposed on her subjects, to her most recent projects which reprise the tradition of the painted portrait miniature of both, people and dogs.

Her ongoing pre-occupation with the miniature was inspired during her six months as Artist in Residence at the Victoria & Albert Museum in 2011. Solo exhibitions of her work have been held at a number of leading European and American museums and galleries including the Sigmund Freud Museum (Vienna, 2016) Freud Museum (London, 2016), Fotogaleriet (Oslo, 2014) National Portrait Gallery (London, 2014), Centrum Kultury Zamek (Poznan, 2011), Victoria and Albert Museum of Childhood (London, 2009), The Photographers’ Gallery (London 2005) and Lombard Freid gallery (New York, 2004).

AIPAD 2018 installation view
Omar Imam (left) and Bettina von Zwehl (right) on an outside wall of Booth 402.

Her photographs are held in the collections of the Solomon R. Guggenheim Museum, New York; Mint Museum, Charlotte, North Carolina; Victoria and Albert Museum, Arts Council Collection, London; The National Portrait Gallery, London; the Rubell Family Collection, Miami, Florida; and Pier 24 Photography, San Francisco. Bettina von Zwehl lives and works in London.

View all the work on view in the booth on our website here. Follow along here, TwitterInstagram, and Facebook for highlights and behind-the-scenes images throughout the week.

The Photography Show, presented by AIPAD
Pier 94, 711 12th Avenue at 55th Street
New York, NY 10019

Hours:

Friday, April 5 through Saturday, April 7, 2018

VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 8:00 p.m.

Sunday, April 8, 2018

VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 6:00 p.m.

#AIPAD2018 #ThePhotographyShow @AIPADphoto @edelmangallery