New work by Francesco Pergolesi!

Leo,-Greece,-2018
Leo, Greece, 2018 © Francesco Pergolesi

Two years ago marked the American debut of work by photographer Francesco Pergolesi, who was raised in Spoleto, an Italian village filled with artisan shops and small businesses. His series, Heroes, features work inspired by the people and places from his childhood that are slowly disappearing: the watchmaker fixing old time pieces; the frame shop where hand-milled frames line the walls; and the local cobbler whose walls are covered with leather hides. Working in collaboration with the shopkeepers, Pergolesi presents narratives that honor the past, while preserving the present. Work from Heroes is not only printed and framed traditionally, but also presented as small boxes lit from within by a LED light.

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Detail view of “Antó, 2018” © Francesco Pergolesi

The artist was born in Venice in 1975. He lives and works between Spoleto, Rome and Barcelona.After finishing his law degree, he dedicated himself entirely to photography. He is an artist-photographer whose work explores the territory of memory. Every single shot is a kind of a theater scene. His subjects are revealed in the lights and shadows reminiscent of Flemish paintings. As he states:

“When I was a child I used to walk free exploring my village streets. I remember I loved to spend time in the little cobbler or the grocery where my Grandmother sent me to shop. Time seemed to be extended and let me feel the sense of freedom. I grew up loving neighborhoods where human relationships were the center of life. I realized early on those places were disappearing as pushed by a mysterious force, a new era was coming.”

Era,-Greece,-2018
Era, Greece, 2018 © Francesco Pergolesi

Francesco Pergolesi sees himself as a guardian of a vanishing world where people congregate to talk about families and daily activities. Every Hero unearths a person from his past…and every photograph becomes a new theater set, inspiring him every day, as he continues to wander the streets looking for a connection.

Pepi,-Barcelona,-2018
Pepi, Barcelona, 2018 © Francesco Pergolesi

See more work by the artist, and interviews with Francesco on our website, here.

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New work debuting at Expo Chicago

Thanks to all who joined us for Vernissage! We had an excellent opening night catching up with friends old and new. If you have not yet made it to Navy Pier, be sure to visit Expo Chicago through Sunday and see us at booth 167.

We are debuting never-before-seen work by some of our featured artists, as well as new bodies of work by our represented artists. Read on to learn more about Jess T. Dugan, Terry Evans, Garrett O Hansen, Michael Koerner, and Laurent Millet!

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Jess T. Dugan
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Jess T. Dugan is an artist whose work explores issues of gender, sexuality, identity, and community. Jess earned an MFA in Photography from Columbia College Chicago (2014), a Master of Liberal Arts in Museum Studies from Harvard University (2010), and a BFA in Photography from the Massachusetts College of Art and Design (2007).

Dugan has exhibited at venues including the Smithsonian National Portrait Gallery, the Aperture Foundation, the Museum of Contemporary Photography, the San Diego Museum of Art, the Cornell Fine Arts Museum at Rollins College, the Transformer Station, the Griffin Museum of Photography, and at many colleges and universities throughout the United States.

Public collections include the Museum of Fine Arts, Boston, the Museum of Fine Arts, Houston, the Museum of Contemporary Photography, the Harvard Art Museums, the Birmingham Museum of Art, the Grand Rapids Art Museum, the Archive of Documentary Arts at Duke University, the Cornell Fine Arts Museum at Rollins College, Fidelity Investments, JP Morgan Chase, and the Kinsey Institute for Research in Sex, Gender, and Reproduction.

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Gloria, 70, Chicago, IL, 2016 © Jess T. Dugan

Representations of older transgender people are nearly absent from our culture and those that do exist are often one-dimensional. For over five years, photographer Jess T. Dugan and social worker Vanessa Fabbre traveled throughout the United States creating To Survive on This Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults. Seeking subjects whose lived experiences exist within the complex intersections of gender identity, age, race, ethnicity, sexuality, socioeconomic class, and geographic location, they traveled from coast to coast, to big cities and small towns, documenting the life stories of this important but largely underrepresented group of older adults. The featured individuals share a wide variety of life narratives spanning the last ninety years, offering an important historical record of transgender experience and activism in the United States. The resulting portraits and narratives offer a nuanced view into the struggles and joys of growing older as a transgender person and offer a poignant reflection on what it means to live authentically despite seemingly insurmountable odds.

Terry Evans
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Terry Evans was born in the heart of the American prairie, Kansas City, Missouri, spending most of her adult life in Salina before moving to Chicago. It is in Kansas, among the hay bales, grain silos and cultivated fields, that Terry’s passion for the great plains was born – a passion that has led her on a photographic journey spanning more than twenty years and countless hours 600 feet above the ground in a single-engine plane.

Terry Evans’ work is part of numerous private and public collections including The Art Institute of Chicago, The Whitney Museum of American Art (New York, NY), Los Angeles County Museum of Art and San Francisco Museum of Modern Art. She has three monographs produced on her work: Disarming The Prairie(Johns Hopkins Press, 1998), The Inhabited Prairie (University Press of Kansas, 1998), and Prairie: Images of Ground and Sky (University Press of Kansas, 1996).

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Fent Prairie, near Salina, Kansas, Late May, 2018 © Terry Evans

“Since 1978, all of my work is connected by an abiding interest in and love for prairie. This interest began more than forty years ago when I photographed the Fent prairie, an 80 acre virgin prairie near Salina, Kansas, where I lived. I explored Fent and other prairies for the next eight years, which introduced me to the wondrous balance of an undisturbed ecosystem, and has informed all of my work to date. In Ancient Prairies, I’m visiting prairie remnants once again. In late May, I went back to the Fent prairie to photograph its intricate botanical complexity after having photographed the effects of fracking in North Dakota and petcoke pollution in Southeast Chicago, which both showed human disregard for land and its people. I’m deeply disturbed by our seeming inability to confront the current and impending disasters of our intensive fossil fuel overuse and the climate change our lives are provoking. This work is about remembering the wisdom and beauty of intact prairies. It is about SEEING them. These prairies would not exist without human care, and Ancient Prairies serves as a tribute to the kinship between humans and nature.”

Garrett O. Hansen
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Garrett graduated from Grinnell College, where he studied economics and political science. He completed his MFA in photography at Indiana University and has taught at several universities in the United States and in Asia; he is now an Assistant Professor of Photography at the University of Kentucky. Garrett has had numerous solo and group exhibitions in the United States, Europe, Indonesia, and Japan.

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Loss (framed), 2016 © Garrett O. Hansen

“Guns are one of the most lethal ways of attempting suicide, with roughly 90% of suicide attempts leading to death. They are also the most common method of suicide in America, with just over 50% of all suicides involving a gun. My newest body of work, entitled Loss, considers these statistics and addresses the fact that over 22,000 people a year are ending their lives with a gun.

Comprised of [12] 2 x 4 foot panels, one for each month of the year, this large-scale piece acknowledges the devastating toll guns are taking on our communities. While high profile celebrity suicides garner significant media attention, very little media attention is given to average Americans who take their own lives. There are good arguments for this journalistic practice, in terms of the privacy for the friends and family of the deceased, as well as a desire to avoid “copycat” suicides.[2] The drawback, however, is that thoughtful and informed conversations about suicide, and the strong correlation between gun ownership and suicide by gun, is not part of the national conversation. This series directly addresses this issue and asks viewers to acknowledge the magnitude of the problem.

The patterning on each panel is based on dove shot spray patterns fired from a 12-gauge shotgun. These patterns are then photographed and reproduced using a laser cutter. Each hole represents a single suicide in which a gun was used.”

[2] http://reportingonsuicide.org/recommendations/#important

Michael Koerner
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Michael Koerner (Okinawa, Japan, 1963) is the oldest of five brothers. Due to genetic abnormalities and cancer, he is the only remaining living son. His brothers’ fates (and potentially his own one day) can be linked to their mother, who was eleven years old on August 9, 1945 when the atomic bomb was dropped on Nagasaki. She lived in Sasebo, Japan, 45 miles away from the blast. The long-term effects of severe, acute exposure to gamma radiation led to his mother’s death at an early age, and all of his brothers. Koerner’s work explores his family history and genetics through small tintypes, using photographic chemistry to assimilate the bursts and biochemical fallout from the atom bomb.

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Waterfalls #6222, 2018 © Michael Koerner

“I am the oldest of five brothers.  The next born son of my parents lived for only several days. The next son was stillborn and the next was miscarried late in the third trimester. The cause of each of these tragedies was traced to genetic abnormalities. My youngest brother, Richard, eventually succumbed to complications associated with two separate bouts of lymphatic cancer. He lived until he was 32 years of age.

There is a tremendous amount of pain and guilt associated with these horrendous endings. It is almost impossible to eliminate or even subdue the feelings that something could have been done differently or avoided. Unfortunately, these feelings are amplified in my family. My mother, Kimiko Takaki, was eleven years old on August 9th, 1945 and living in Sasebo, Japan, which is about 45 miles away from the atomic bomb blast in Nagasaki that fateful day. About half of the 80 thousand deaths from the attack on Nagasaki occurred in the first day, while the other half of the deaths occurred from radiation sickness and burns in the following few months. Realistically, the ultimate death toll is at least ten times higher when you approximate the longterm effects of severe, acute exposure to gamma radiation. My mother and each of her four siblings died of rare genetic disorders and/or cancer at ages much younger than the median life expectancy.

I remain hyper-vigilant towards my own cancer diagnosis and exhibit my own feelings of survivor’s guilt. These feelings and family history and experiences drive my artistic hand.”

Laurent Millet
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For more than twenty years, Laurent Millet has channeled his innate curiosity to create photographs that question the way objects appear within space and time. Citing R. Buckminster Fuller and Denis Diderot among his influences, Millet creates an artistic vocabulary through metal wire, vineyard posts and barrel hoops – objects prevalent in the coastal town of France in which he resides. There is a rich history of artists constructing environments simply to be photographed and then disassembled. These created realities were prevalent in the 1980s, as works by Sandy Skoglund, Bernard Faucon, Bruce Charlesworth, James Welling and other artists burst onto the scene. All of these artists worked with objects to create a narrative, captured by the camera. Laurent Millet (b. 1968 France) continues to work in this tradition, using various 19th c. printing techniques to magnify his vision.

As he stated in a 2014 interview in L’Oeil de la Photographie: “I felt like I had to take refuge in something that was comforting and reassuring… This idea brought me back to what I did as a child in the countryside when I would play with wood and stones. I rediscovered that pleasure as an adult… Starting with the first things I built, fishing machines, I felt like a world was opening up in which I could really exist. These objects are powered by my personal fictions, my dream of another life. The photograph is proof of that, a record of the moment, a reward.”

Laurent Millet’s work can be seen in numerous publications including his 2014 book, Les Enfantillages Pittoresques (Filigranes Editions) and in major museum collections, including The Art Institute of Chicago, Maison Européenne de la Photographie (Paris), San Francisco Museum of Modern Art, Los Angeles County Museum of Art, and Fonds National d’art Contemporain (Paris), among others.

You can see work from all the artists featured at booth #167 here.
For more information on the fair, visit expochicago.com.

Catherine Edelman Gallery at EXPO CHICAGO 2018

Booth #167

Navy Pier
600 E Grand Ave
Chicago, IL 60611

Show Hours:

Friday, September 28 11:00 am – 7:00 pm
Saturday, September 29 11:00 am – 7:00 pm
Sunday, September 30 11:00 am – 6:00 pm

@edelmangallery @expochicago #expoartweek #expochicago2018

EXPO CHICAGO opens tonight!

Screen Shot 2018-09-27 at 9.40.13 AMCatherine Edelman Gallery is exhibiting once again at EXPO CHICAGO, the International Exposition of Contemporary & Modern Art, which has established the city of Chicago as a preeminent art fair destination. Initiating the beginning of the international fall art season each September, EXPO CHICAGO takes place at historic Navy Pier, whose vast vaulted architecture hosts leading international exhibitors presented alongside one of the highest quality platforms for global contemporary art and culture. Dedicated to rigorous and challenging programming, EXPO CHICAGO initiates strategic international partnerships, built alongside strong institutional relationships with major local museums and organizations to open parallel exhibitions and events.

The fair opens with a VIP preview on Thursday, September 27, from 6:00 to 9:00 pm, to benefit the Museum of Contemporary Art Chicago, presented by the MCA Women’s Board.

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The 2018 edition of EXPO CHICAGO will align with Art Design Chicago, an initiative of the Terra Foundation for American Art, to present various programs and events throughout EXPO ART WEEK (September 24–30, 2018) including panel discussions, performances, and activations across the city.

The EXPOSURE section, presented within the main exposition hall, is dedicated to emerging programs presenting solo and two-artist presentations represented by galleries 8 years and younger. An unrivaled talks program for both public and VIP audiences on two stages, /Dialogues and Exchange by Northern Trust continue to feature the most established and respected voices in contemporary art and culture. The on-site installations program IN/SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large-scale suspended sculptures and site-specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations. The off-site public program engages the city’s long legacy with public art, including IN/SITU Outside, siting works by major contemporary artists throughout Chicago Park District locations for up to one year, and OVERRIDE | A Billboard Project, presenting a curated selection of digital art on the citywide network. Committed to fostering contemporary art criticism and discourse, EXPO CHICAGO publishes THE SEEN, Chicago’s only international journal of contemporary and modern art, online and in print.

Expanding on its renowned VIP Program—an audience of top international collectors, gallerists, art advisors, artists, and academics—the annual EXPO CHICAGO Curatorial Forum provides a conference platform to leading institutional and independent exhibition organizers.

Catherine Edelman Gallery is proud to present the following artists
at EXPO CHICAGO 2018:

Jess T. Dugan
Elizabeth Ernst
Terry Evans
Garrett O. Hansen
Pete Jacobs
Michael Koerner
Laurent Millet
Lori Nix / Kathleen Gerber
Francesco Pergolesi
Gregory Scott

You can see work from all the artists featured at booth #167 here.
For more information on the fair, visit expochicago.com.

Catherine Edelman Gallery at EXPO CHICAGO 2018

Booth #167

Navy Pier
600 E Grand Ave
Chicago, IL 60611

Show Hours:

Vernissage
Thursday, September 27
6:00 pm – 9:00 pm
Friday, September 28 11:00 am – 7:00 pm
Saturday, September 29 11:00 am – 7:00 pm
Sunday, September 30 11:00 am – 6:00 pm

@edelmangallery @expochicago #expoartweek #expochicago2018

Friday at Photo London

 

We’ve had an outstanding week in London so far! Thank you to everyone for visiting us at booth G15 over the last few days. If you haven’t had the chance to visit Photo London yet, we are excited to meet you this weekend! Today we continue our highlights of featured artists, including, Clarissa Bonet, Ysabel LeMay, and Francesco Pergolesi.

Clarissa Bonet

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Clarissa Bonet lives and works in Chicago.  Her work explores aspects of the urban space in both a physical and psychological context. She received her M.F.A. in photography from Columbia College Chicago in 2012, and her B.S. in Photography from the University of Central Florida. Interested in the physical space of the city and its emotional and psychological impact on the body, she uses the camera to transform the physical space into a psychological one, providing a personal interpretation of the urban landscape. Her work has been exhibited nationally, internationally, and resides in the collections of The Museum of Contemporary Photography’s MPP collection, The South East Museum of Photography, and The Haggerty Museum. She has been awarded multiple Chicago Individual Artist Grants and was most recently curated into a group show at the Bauhaus Archive Museum in Berlin, Germany. Images from Bonet’s series Stray Light are on view.

Ysabel LeMay

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Quebec born Ysabel LeMay found photography later in life, after a successful career working as a graphic artist for prominent advertising agencies. Seeking greater fulfillment, she turned to painting, and in 2002, left the corporate world to pursue painting full time. Eight years later, she turned her attention to photography, garnering significant success in a few short years. Combining her technical expertise with her painterly eye, LeMay creates photographs that challenge our perception of the landscape.

 

Lemay’s technique is very straightforward, yet extremely time consuming. She photographs flora, birds, tree limbs, flowers, and anything else she finds along her daily walks. Once back in the studio, she assembles all her files into her computer and starts layering images, using hundreds of individual files to construct each final photograph. Balancing color, light and subject, Ysabel LeMay creates pieces that vibrate with an intensity often experienced in dreams. Two of Ysabel’s newest pieces are on view in booth G15.

 

Francesco Pergolesi

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Francesco Pergolesi was born in Venice in 1975. After finishing his law degree, dedicated himself entirely to photography. He is an artist-photographer whose work explores the territory of memory. Every single shot from his series Heroes is a kind of a theater scene. His subjects are revealed in the lights and shadows reminiscent of Flemish paintings. He lives and works between Spoleto, Rome and Barcelona. His second solo-show with CEG, Tableaux, is on view now in Chicago and runs through July 7, 2018.

 

About Heroes, the artist writes: “When I was a child I used to walk free exploring my village streets. I remember I loved to spend time in the little cobbler or the grocery where my Grandmother sent me to shop. Time seemed to be extended and let me feel the sense of freedom. I grew up loving neighborhoods where human relationships were the center of life. I realized early on those places were disappearing as pushed by a mysterious force, a new era was coming.” Expect to see new images from Heroes on view in our booth at Photo London.

Follow along with us this week on Cyclopsblog, TwitterInstagram, and Facebook for highlights and behind-the-scenes images from London! Plan your visit to the fair here, and be sure to visit booth G15! Stateside viewers can also see the booth in full on our website here.

Photo London
May 16 – 20, 2018
Somerset House
Strand
London
WC2R 1LA

Friday 18 May 12:00 – 19:30
Saturday 19 May 12:00 – 19:30
Sunday 20 May 12:00 – 18:30

@edelmangallery @photolondonfair #photolondonfair2018

 

“Francesco Pergolesi: Tableaux” opens tomorrow!

Catherine Edelman Gallery is pleased to present, Tableaux, the second solo exhibition by Italian photographer, Francesco Pergolesi (b. 1975, Venice). The show opens May 4 and runs through July 7, 2018.

There will be an opening reception tomorrow, May 4, from 5:00 – 7:00 p.m. The artist will be in attendance.

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Two years ago marked the American debut of work by photographer Francesco Pergolesi, who was raised in Spoleto, an Italian village filled with artisan shops and small businesses. His past exhibition, Heroes, featured work inspired by the people and places from his childhood that are slowly disappearing: the watchmaker fixing old time pieces; the frame shop where hand-milled frames line the walls; and the local cobbler whose walls are covered with leather hides. Working in collaboration with the shopkeepers, Pergolesi presents narratives that honor the past, while preserving the present. Work from Heroes is presented as small boxes lit from within by a LED light. New pieces from this series will be on display.

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Tableaux continues his commitment to the people living in small towns in Italy, where human relationships are still the center of daily life. In Pergolesi’s newest series, he focuses his attention on the work surfaces that bear the markings and history of time. This can be seen in photographs of mathematical calculations, assorted tools used for framing, leather remnants discarded on the floor, and a paint splattered table that looks like a modern day Jackson Pollack. As he states:

“Tableaux is a project dedicated to the worktables of artists and artisans… Every table is a canvas generated unconsciously, thanks to the traces of daily work. The material is the tangible representation of memory… every detail becomes magnified, emphasizing the worth and uniqueness of the artisan’s work. The worktable is a reliable place, an esoteric shelter where day after day, year after year, generations repeat skillful gestures, generating ideas and solutions. It is a place where one puts together and transforms materials.”

Tableaux marks the artist’s foray into different ways of presentation, displaying the works as large scale mounted photographs and memory boxes. Upon entering the gallery, the viewer sees 21-12, a photograph of watch parts and gears, scattered on a workbench. On a pedestal sits a linen box that when opened, contains photographs along with objects from the artisan’s shop, creating a memory of the person and place depicted. Through these new pieces, Pergolesi honors the skill and labor slowly losing ground to automation.

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Francesco Pergolesi sees himself as a guardian of a vanishing world where people congregate to talk about families and daily activities. Every Hero unearths a person from his past… and every photograph becomes a new theater set, inspiring him every day, as he continues to wander the streets looking for a connection

With support from the Italian Cultural Institute of Chicago.

See the entire exhibition on our website here.

Day two of The Photography Show!

AIPAD 2018 installation view
Gregory Scott (left) and Clarissa Bonet (right) at AIPAD 2018

We’re back at Pier 94 for Friday of The Photography Show! Thanks again to everyone who visited us yesterday and so far this morning. Today we’re featuring the work of five photographers whose work you will find in Booth 402!

Clarissa Bonet

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SL.2018.0222 Chicago, 2018 © Clarissa Bonet

Clarissa Bonet lives and works in Chicago.  Her work explores aspects of the urban space in both a physical and psychological context. She received her M.F.A. in photography from Columbia College Chicago in 2012, and her B.S. in Photography from the University of Central Florida. Interested in the physical space of the city and its emotional and psychological impact on the body, she uses the camera to transform the physical space into a psychological one, providing a personal interpretation of the urban landscape. Her work has been exhibited nationally, internationally, and resides in the collections of The Museum of Contemporary Photography’s MPP collection, The South East Museum of Photography, and The Haggerty Museum. She has been awarded multiple Chicago Individual Artist Grants and was most recently curated into a group show at the Bauhaus Archive Museum in Berlin, Germany. Images from Bonet’s series Stray Light and City Space are on view.

 

Gregory Scott
Gregory Scott has always blurred the lines between painting and photography, incorporating paintings he did of himself, or his body, back into his photographs. The resulting images were both humorous and odd, challenging the viewer’s perception of photographic truth. Then, at the age of 49, Scott decided to go to graduate school to strengthen his knowledge of art history and video making. Having successfully merged his love of painting and photographs, his interest turned to video and its ability to move and manipulate still images.

rothko_chapel
Rothko Chapel, 2018 © Gregory Scott

Continuing to use himself as the model, Scott creates narrative pieces which use illusion and surprise to tackle issues ranging from identity and loneliness, to the way the art world has pigeonholed the various mediums in which he works. In his pieces, Scott challenges the definitions placed on photography, painting and video, expanding its discourse.

Rothko Chapel, 2018 from Catherine Edelman Gallery on Vimeo.
We are debuting Gregory Scott’s newest piece, “Rothko Chapel, 2018, based on  the space in which the painter’s 14 murals are installed in Houston, Texas. As many people know, photography is not permitted inside the chapel, but that did not stop Gregory. As a former model maker, he painstakingly built the chapel in his studio, creating his own access to its interior. The 7 minute video explores the experience of being inside the chapel, where meditation takes over, dreaming is encouraged, and the mind is free to imagine.

 

AIPAD 2018 installation view
From left to right: Tami Bahat, Francesco Pergolesi, and Gregory Scott.

Tami Bahat
Tami Bahat is a fine art photographer from Tel Aviv, Israel. Raised by a former dancer and a graphic artist, Bahat’s family resettled in Los Angeles when she was a child. Championed by parents who encouraged her artistic expression, Bahat experimented in various media, finding her voice as well as her place in the world. She left school at the age of fifteen and was given guidance by her father, who had taught at Bezalel Academy of Arts and Design in Jerusalem. He encouraged her independent study, through workshops and seminars of art history, photography, sculpture and design, further enhancing her creative vision. A series of family trips around the world exposed Bahat to humanity as a whole and the myriad ways that people live, providing her with a keen awareness of the beauty and loss that an earthly existence brings, an undertone in much of her work.

Bahat’s fine art career began in earnest in 2010, when her photography was noticed by the editor of the U.K. publication, Nikon Owner Magazine. He was struck by her bold and imaginative approach and featured one of her portraits on the cover, along with an article detailing her as an artist. From this she participated in a series of photo events and speaking engagements, including Photo LA. Most recently, her work has been exhibited at photography events internationally, including Fotofever (Paris), AAF New York and Hong Kong, as well as the LA Art Show. Bahat was selected as a Critical Mass finalist in 2016 and invited to attend Review Santa Fe 2017. She currently lives and works in Los Angeles, CA. We are showing a selection images from Bahat’s series Dramatis Personae.

Francesco Pergolesi
Screen Shot 2018-03-27 at 4.26.06 PM
Francesco Pergolesi was born in Venice in 1975. After finishing his law degree, dedicated himself entirely to photography. He is an artist-photographer whose work explores the territory of memory. Every single shot from his series Heroes is a kind of a theater scene. His subjects are revealed in the lights and shadows reminiscent of Flemish paintings. He lives and works between Spoleto, Rome and Barcelona. His second solo-show with CEG, Tableaux, will open May 4, 2018. We are presenting one image from this new series at The Photography Show.

“Tableaux is a project dedicated to the worktables of artists and artisans… Every table is a canvas generated unconsciously, thanks to the traces of daily work. The material is the tangible representation of memory… every detail becomes magnified, emphasizing the worth and uniqueness of the artisan’s work. The worktable is a reliable place, an esoteric shelter where day after day, year after year, generations repeat skillful gestures, generating ideas and solutions. It is a place where one puts together and transforms materials.”


Bettina von Zwehl
Installation view AIPAD 2018Bettina von Zwehl was born in Munich in 1971 and received an MA from the Royal College of Art (RCA), London, in 1999. She has built her international reputation on subtle and distinctive photographic portraits. As her practice has developed, she has continued to seek out different ways of exploring the form; from her early works, most often defined by the exacting conditions she imposed on her subjects, to her most recent projects which reprise the tradition of the painted portrait miniature of both, people and dogs.

Her ongoing pre-occupation with the miniature was inspired during her six months as Artist in Residence at the Victoria & Albert Museum in 2011. Solo exhibitions of her work have been held at a number of leading European and American museums and galleries including the Sigmund Freud Museum (Vienna, 2016) Freud Museum (London, 2016), Fotogaleriet (Oslo, 2014) National Portrait Gallery (London, 2014), Centrum Kultury Zamek (Poznan, 2011), Victoria and Albert Museum of Childhood (London, 2009), The Photographers’ Gallery (London 2005) and Lombard Freid gallery (New York, 2004).

AIPAD 2018 installation view
Omar Imam (left) and Bettina von Zwehl (right) on an outside wall of Booth 402.

Her photographs are held in the collections of the Solomon R. Guggenheim Museum, New York; Mint Museum, Charlotte, North Carolina; Victoria and Albert Museum, Arts Council Collection, London; The National Portrait Gallery, London; the Rubell Family Collection, Miami, Florida; and Pier 24 Photography, San Francisco. Bettina von Zwehl lives and works in London.

View all the work on view in the booth on our website here. Follow along here, TwitterInstagram, and Facebook for highlights and behind-the-scenes images throughout the week.

The Photography Show, presented by AIPAD
Pier 94, 711 12th Avenue at 55th Street
New York, NY 10019

Hours:

Friday, April 5 through Saturday, April 7, 2018

VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 8:00 p.m.

Sunday, April 8, 2018

VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 6:00 p.m.

#AIPAD2018 #ThePhotographyShow @AIPADphoto @edelmangallery

Catherine Edelman Gallery is pleased to announce representation of Michael Koerner!

We are thrilled to present to you the work of our newest represented artist, Michael Koerner (b. Okinawa, Japan, 1963), whose work we will be debuting this week at The Photography Show, presented by AIPAD! Michael is a photographer and chemist, combining the two to create unique collodion photograms on tin plates that range in size from 6 x 4″ to 9 x 6.”

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Coronae #9866, 2017 © Michael Koerner

The artist is the oldest of five brothers. Due to genetic abnormalities and cancer, he is the only remaining living son. His brothers’ fates (and potentially his own one day) can be linked to their mother, who was eleven years old on August 9, 1945 when the atomic bomb was dropped on Nagasaki. She lived in Sasebo, Japan, 45 miles away from the blast. The long-term effects of severe, acute exposure to gamma radiation led to his mother’s death at an early age, and all of his brothers. Koerner’s work explores his family history and genetics through small tintypes, using photographic chemistry to assimilate the bursts and biochemical fallout from the atom bomb.

The artist states:

“I am the oldest of five brothers.  The next born son of my parents lived for only several days. The next son was stillborn and the next was miscarried late in the third trimester. The cause of each of these tragedies was traced to genetic abnormalities. My youngest brother, Richard, eventually succumbed to complications associated with two separate bouts of lymphatic cancer. He lived until he was 32 years of age.

There is a tremendous amount of pain and guilt associated with these horrendous endings. It is almost impossible to eliminate or even subdue the feelings that something could have been done differently or avoided. Unfortunately, these feelings are amplified in my family. My mother, Kimiko Takaki, was eleven years old on August 9th, 1945 and living in Sasebo, Japan, which is about 45 miles away from the atomic bomb blast in Nagasaki that fateful day. About half of the 80 thousand deaths from the attack on Nagasaki occurred in the first day, while the other half of the deaths occurred from radiation sickness and burns in the following few months. Realistically, the ultimate death toll is at least ten times higher when you approximate the longterm effects of severe, acute exposure to gamma radiation. My mother and each of her four siblings died of rare genetic disorders and/or cancer at ages much younger than the median life expectancy.

I remain hyper-vigilant towards my own cancer diagnosis and exhibit my own feelings of survivor’s guilt. These feelings and family history and experiences drive my artistic hand.”

See more of Michael’s work on our website here, and on view in our booths at
The Photography Show, April 4 – 8, and at Photo London, May 16 – 20.