New “People of the 21st Century” by Jan Kaesbach

Jan Kaesbach consistently surprises people who visit the gallery. His portraits contain over 3,000 still shots that, shown in succession, create a 3 to 4 minute video loop of his subjects. Showing the videos on a monitor is really the only clue to the viewer that these pictures are in fact, moving, not just illuminated.

This ongoing series is called People of the 21st Century, in homage to August Sander, who was known for his portraits typifying everyday tradespeople at the turn of the 20th century.

Jan’s newest portraits are of painters; you can see a few of them below. Visit us at AIPAD, March 29 – April 1 to see People of the 21st Century in person!

“Building a Universe” by Jacob Watts

Chicago Project artist Jacob Watts shared with us a new body of work entitled Building a Universe. Jacob’s curiosity in the Pleiades star cluster led him to research ancient mythology, and apply it to a modern re-telling of the tale:

“I remember being very young when I first saw the Pleiades star cluster. Peering into the summer night sky, watching the faint lights twinkle, I wondered why no one else around me seemed fascinated with it. That night burned into my memory and my interest in the cluster emerged again as an adult. Research revealed to me that many other people were fascinated with it: almost every other civilization for thousands of years had their own mythology about the Pleiades. The story was told in many different ways, but a common thread involving the Seven Sisters was ubiquitous. Believing that this ancient story should be given new life, I wanted to create my own version to pass on its tradition of storytelling. Building A Universe is a modern retelling of the mythology of the Pleiades and the Seven Sisters in the realm of science fiction.

“Using a process of photography rich with photo-manipulation, the images follow a story of the Seven Sisters on their journey to help a dying Earth from the destruction of nature. Hailed to the last civilization, Aymatoposem, the Sisters discover the planet’s nature is being consumed by large cube structures. Having been hailed by a man named ‘The Inventor,’ they travel to his laboratory to find his book he left behind for them. This book holds writings and blueprints to build machines for different tests to run on the large flying structures, and maybe even stop them.”

Using the Information Gathered from the Three Tests, the Seven Sister Search Through a River for the First Cube Built, 2017
Using the Information Gathered from the Three Tests, the Seven Sister Search Through a River for the First Cube Built, 2017
See more of Building a Universe, as well as work from Jacob’s other series, Evolution by viewing our online gallery.

You can see the full Building a Universe story on Jacob’s website.

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New City Space images from Clarissa Bonet

In case you hadn’t heard, we received new work from Clarissa Bonet last week! We are thrilled to share three City Space images with you here.

Fortress_2016
Fortress 2016
In_Between_2016
In Between 2016
Uniform Blue_2016
Uniform Blue 2016

Clarissa on her City Space series:

“The urban space is striking – its tall and mysterious buildings, crowds of anonymous people, the endless sea of concrete. City Space is an ongoing photographic exploration of the urban environment and my perception of it.  I am interested in the physical space of the city and its emotional and psychological impact on the body. These photographs reconstruct mundane events in the city that I have personally experienced or witnessed in public. Stark light, deep shadow and muted color are visual strategies I explore to describe the city.  I use the city as a stage and transform the physical space into a psychological one. The images I create do not represent a commonality of experience but instead provide a personal interpretation of the urban landscape.”

IMG_9263
Clarissa and Tim inspecting proofs of Fortress, In Between, and Uniform Blue.

See more of Clarissa’s work on our website.

 

Ctrl+P: Photography taken offline – Shawn Theodore

We are thrilled to feature the work of our new Ctrl+P: Photography Taken Offline artist Shawn Theodore. Theodore’s images are on view through April 29, 2017.

Shawn Theodore is a multidisciplinary Philadelphia-based artist working in photography, video, and collage. His practice embodies a defiant brand of black artistry; one that focuses on the fragmentation and manipulation of African American and African Diaspora identities and otherness, while exploring concepts of race, spirituality, patriarchy, matriarchy and class structure within disappearing Black communities. Theodore attended Tyler School of Art and received his BA in Journalism, Public Relations and Advertising from Temple University.His solo exhibition highlights include: Church of Broken Pieces ’17, African American Museum in Philadelphia; The Avenues ’16, Painted Bride Art Center; The Avenues, G-Town and Uptown ‘14, Imperfect Gallery and Scribe Video Center; The Avenues; North and West Philly, ‘14 and he has exhibited in several group shows.


Makumbusho, 2016

Church of Broken Pieces
Essayist Teju Cole once marveled at the tonal range in the shadows of an image by Roy DeCarava, musing that these darker areas might have been solid, inscrutable black in the hands of another artist. Given the long history of photographic technologies’ inability to register black skin, the artist’s embrace of subtle, modulated darkness was profoundly radical, especially in an age when mainstream representations of African American life were demanded with bombast or stereotype, if they were demanded at all. With DeCarava, Cole writes, “What is dark is neither blank nor empty. It is in fact full of wise light which, with patient seeing, can open out into glories.”[1]

It is no surprise that Philadelphia-based photographer Shawn Theodore cites the iconic Harlem artist among his greatest inspirations. Shooting entirely in the streets, Theodore relishes the many ways that natural light can caress the skin of his Afro-Diasporic subjects, from a flattening glare, to dapples and highlights that dance across the face, to dramatic shadows that all but obfuscate the body. As in the restrained masterworks of DeCarava, however, even the darkest blacks of Theodore’s images give way to nuanced tonalities upon sustained contemplation—for instance, the men and women who turn away from the camera and into the shadows, granting the viewer only the silhouette of their three-quarter profile.

The Contrapasso of the Beloved Stranger, 2016

In Church of Broken Pieces, Theodore presents a new body of photographs made on the streets of Philadelphia’s African American neighborhoods, many of them shrinking thanks to encroaching gentrification. A self-identified street shooter, Theodore has always found his subjects in chance urban encounters; some of these interactions between strangers have evolved into sustained collaborations, the fruits of which are presented here. This constellation of relationships and the community it sustains, however fleeting, are at the core of Theodore’s work.

Complementary to the intimacy and quiet darkness of many of these photographs, a strand of performative exuberance shines through. Our eyes can’t help but linger on the elegantly understated, trans-diasporic fashions in Theodore’s images, often commanding as much attention as the people themselves. Evoking the saturated palette and dynamic surrealism of the great Viviane Sassen, these photographs capture clothing and bodies in motion without sacrificing an ounce of their exquisite composed-ness. The self-possessed subjects enact the language of fashion spreads, history paintings, street performances, and mystical rites, often simultaneously.

Drawn from the name of a church close to the artist’s childhood home, the title’s self-conscious invocation of biblical grandeur calls to mind the great titles of the Harlem Renaissance and the New Negro Movement. Theodore once asked a pastor friend about the origins of the phrase, who told him that “it had to do with the tradition of smaller churches breaking away from the larger ones to continue their service to the community,” he recalls. Like the church and its powerfully simple words, Theodore’s photographs conjure a transhistorical, transnational community mobilizing against erasure. They show us beauty as history, memory, resistance, and a way forward, shining the same wise light of the artist’s forebears and, little by little, opening out into new glories.


Ctrl+P: Photography taken offline is an exciting venture at Catherine Edelman Gallery inspired by the hundreds of photographs we see on blogs and online galleries. Started in January 2011, CEG introduces Chicagoans to new artists we find while searching the web, exhibiting a small selection of one person’s work every two months, taking the pictures offline and putting them on the wall. It is our goal that Ctrl+P will provide further exposure for these photographers away from the glow of a computer monitor and without the temptation to click to the next link. We hope you will join us by unplugging from the internet and visiting CEG to see these photographs the way they were intended — in print.

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New Heroes by Francesco Pergolesi

After living in Turin for a few months, Francesco Pergolesi was inspired to make new photographs. We are excited to share the new images and look forward to showing all three (and more) in March at The Photography show, presented by AIPAD.

Theodore, 2017
Theodore, 2017
Moira, 2017
Moira, 2017
Amelie, 2017
Amelie, 2017

Francesco’s images made 2016-present are available as 4 x 6″ or 10 x 15″ pigment print mounted to plexi, framed and backlit with LED light and 23½ x 35½” pigment print in an editions of 7 + 2 AP’s and 3 + 2 AP’s, respectively. Pieces range in price from $1500 – $4000, depending on size and availability. You can see the entire Heroes series on our website here.

New work by Gregory Scott and Ysabel LeMay

Today we continue to introduce the artists we are featuring at Art Miami booth B300. In this post you can read about Ysabel LeMay and Gregory Scott. Both artists have new work premiering at Art Miami!

Ysabel LeMay

Quebec born Ysabel LeMay found photography later in life, after a successful career working as a graphic artist for prominent advertising agencies. Seeking greater fulfillment, she turned to painting, and in 2002, left the corporate world to pursue painting full time. Eight years later, she turned her attention to photography, garnering significant success in a few short years. Combining her technical expertise with her painterly eye, LeMay creates photographs that challenge our perception of the landscape.

nebula-2016
Nebula, 2016 © Ysabel LeMay

Lemay’s technique is very straightforward, yet extremely time consuming. She photographs flora, birds, tree limbs, flowers, and anything else she finds along her daily walks. Once back in the studio, she assembles all her files into her computer and starts layering images, using hundreds of individual files to construct each final photograph. Balancing color, light and subject, Ysabel LeMay creates pieces that vibrate with an intensity often experienced in dreams. She achieves this effect by painting the background of her photographs similarly to our other artist, Gregory Scott. At Art Miami you can see her pieces from the series Gracia.

Cosmea, 2016
Cosmea, 2016 © Ysabel LeMay

Gregory Scott

In 2008, Gregory Scott stunned the art world with his mixed-media video works that combined installation, photography, performance, video and painting. As more and more artists blur the lines between media, Scott has taken the idea to a whole new level, presenting video-based wall pieces that are humorous and poignant, contemplative yet accessible.

Georgia and Alfred, 2016 © Gregory Scott
Georgia and Alfred, 2016 © Gregory Scott

Gregory Scott builds sets in his studio that serve as his subject. In these sets, he records himself performing a variety of scenarios that are then edited into 6-10 minute videos. The sets are then photographed, and the resulting wall piece is a mounted photograph with a cut out for a monitor on which a video plays, and a painted element appears on the photographic surface. In each video, he shows how he constructed the set that he photographed, breaking down the barrier between maker and viewer. All of the hardware is attached to the inside of the frame, making his works self-contained.

 

To see more work from our booth, please visit our website!

Download a complimentary pass for Art Miami on our website here.

November 29 – December 4, 2016
The Art Miami Pavilion
Midtown | Wynwood Arts District
3101 NE 1st Avenue
Miami, FL 33137

 

 

 

 

 

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New work by Jess T. Dugan

We are thrilled to share three new photographs by Jess T. Dugan. You can see more of her images from her ongoing series To Survive on This Shore on her website.

Preston, 52, East Haven, CT, 2016 © Jess T. Dugan
Preston, 52, East Haven, CT, 2016 © Jess T. Dugan
Rosalind, 65, The Bronx, NY, 2016 © Jess T. Dugan
Rosalind, 65, The Bronx, NY, 2016 © Jess T. Dugan
Sukie, 59, The Bronx, NY, 2016 © Jess T. Dugan
Sukie, 59, The Bronx, NY, 2016 © Jess T. Dugan
To Survive on This Shore combines photographs of transgender and gender variant people over the age of 50 with interviews about their life experiences in regards to gender, identity, age, and sexuality and provides a nuanced view into the complexities of aging as a transgender person.  The project is made in collaboration with Vanessa Fabbre, a social worker and Assistant Professor at Washington University in St. Louis, whose research explores the intersection of LGBTQ issues and gerontology, focusing specifically on transgender and queer perspectives on aging and the life course. By combining our experiences working as a photographer and social worker within the transgender community, we hope to create a project that is simultaneously highly personal and socially relevant.

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