Each image is titled after a destination known for having been visited by a famous painter. We asked Fabian: who exactly painted in the locations of these photographs? and we learned some interesting trivia!
1. At the Herzogstand, 2013 Fabian Schubert: “Franz Marc, a member of the Blue Rider Group (“der Blaue Reiter” in German) painted here on the Herzogstand in the Bavarian Alps.”
2. At the Anse De Rospico, 2013 FS: “This one is dedicated to the ‘School of Pont Aven’ around french artist Paul Gauguin in Bretagne, France.”
In an attempt to understand why artists create the work they make, we decided to launch Artist Talk in September of 2008, a video series which allows the viewer to hear, from the artist, the reasons behind making each piece on exhibit. We are thrilled to share with you our latest Artist Talk with Laurent Millet.
Watch our Vimeo channel for future talks, and feel free to share this video elsewhere. We love making these Artist Talks and when you share them, you help us to keep making new ones!
This Saturday, April 8, is Slow Art Day. Around the world, galleries, museums and other institutions will encourage their visitors to spend more time than average with their collections. It has become common to speed walk through exhibits in search of the highlights, and Slow Art Day was enacted to combat this habit. Fifteen seconds is simply not enough time to digest everything that goes into creating a work of art.
In Texas, the Museum of Fine Arts, Houston has outlined a four-step process for art educators that challenged students to look at a piece of art for 30 seconds, turn their backs, and then try to recall and record everything they had seen. When the students return to the artwork, they notice just how much was missing from their lists–what they had overlooked the first time. Both Harvard and MIT now offer courses that lead classes in mindful looking.
We will have five photographs designated for “slow looking,” at which a minimum of ten minutes is recommended for viewing, per piece. At the end of this 50-minute period, gallery staff will be on hand to answer any questions. Discussions have been scheduled for noon and 3 pm.
You don’t need to know a lot about art to approach it. But by simply looking a little longer, you can learn more than you may expect. Discussing your observations with gallery staff and other visitors this Saturday will teach you even more. By thoroughly engaging with the photographs in our gallery, you’ll leave with a better understanding of how the work was made, why, and how it may relate to work by other artists you have seen.
We’ve received a lot of questions recently about where and how Clarissa Bonet makes the photographs included in her first solo show, City Space + Stray Light. She describes her process in her Artist Talk and in several interviews recently published (Lensculture, Chicago Magazine, Lenscratch, Aint Bad, Dodho). We decided to show you Clarissa’s process using behind the scene photos. We follow her from photographing a new image to making a final print in her studio.
Clarissa begins each photograph for her City Space series by walking around Chicago for hours. She records her experiences with an iPhone and takes notes about the buildings, light and pedestrians. She then uses her notes to recreate dramatic moments and experiences with hired models. The final photographs are carefully staged memories that appear to be snapshots of every day life in the city.
In her Stray Light series, Clarissa shoots in several different cities at night (Chicago, NY and LA). Each image contains an array of glowing windows.
The work continues next in her studio. Clarissa scans her negatives for City Space and begins creating test prints.
And now that she is back in the studio, the Stray Light images are ready to be created! Each image contains many windows and lights that are the source materials for new photographs. Clarissa isolates and saves each window or light separately, creating a large archive of images from one city. She then spends many hours layering these images together to create her own constellation of windows. Once completed, she begins the process of printing each image.
No matter how much time Clarissa spends with an image on the computer, she still prints it several times before she considers it complete.
You can see all of Clarissa’s work on our website, and they are even better in person! Her show is on view at the gallery until October 29!
Catherine Edelman and Paul Klein discuss how he became an art coach, and what he provides artists to help them be successful.
Please feel free to share this video! We love making them and when you share our videos, you help us to continue making new ones! New episodes are released biweekly on Saturdays; subscribe to the podcast through iTunes and PodBean or watch the videos on Vimeo and our website!
Chat Room is a web series featuring Catherine Edelman in discussion with curators, artists and industry professionals. Catherine will talk about artists, trends, the politics of the business and offer the public an inside view about what goes on in the gallery and museum worlds. The public is encouraged to email the gallery with questions that they would like answered. Email questions to email@example.com. Any and all topics are welcome.