Catherine Edelman Gallery is pleased to present, Tableaux, the second solo exhibition by Italian photographer, Francesco Pergolesi (b. 1975, Venice). The show opens May 4 and runs through July 7, 2018.
There will be an opening reception tomorrow, May 4, from 5:00 – 7:00 p.m. The artist will be in attendance.
Two years ago marked the American debut of work by photographer Francesco Pergolesi, who was raised in Spoleto, an Italian village filled with artisan shops and small businesses. His past exhibition, Heroes, featured work inspired by the people and places from his childhood that are slowly disappearing: the watchmaker fixing old time pieces; the frame shop where hand-milled frames line the walls; and the local cobbler whose walls are covered with leather hides. Working in collaboration with the shopkeepers, Pergolesi presents narratives that honor the past, while preserving the present. Work from Heroes is presented as small boxes lit from within by a LED light. New pieces from this series will be on display.
Tableaux continues his commitment to the people living in small towns in Italy, where human relationships are still the center of daily life. In Pergolesi’s newest series, he focuses his attention on the work surfaces that bear the markings and history of time. This can be seen in photographs of mathematical calculations, assorted tools used for framing, leather remnants discarded on the floor, and a paint splattered table that looks like a modern day Jackson Pollack. As he states:
“Tableaux is a project dedicated to the worktables of artists and artisans… Every table is a canvas generated unconsciously, thanks to the traces of daily work. The material is the tangible representation of memory… every detail becomes magnified, emphasizing the worth and uniqueness of the artisan’s work. The worktable is a reliable place, an esoteric shelter where day after day, year after year, generations repeat skillful gestures, generating ideas and solutions. It is a place where one puts together and transforms materials.”
Tableaux marks the artist’s foray into different ways of presentation, displaying the works as large scale mounted photographs and memory boxes. Upon entering the gallery, the viewer sees 21-12, a photograph of watch parts and gears, scattered on a workbench. On a pedestal sits a linen box that when opened, contains photographs along with objects from the artisan’s shop, creating a memory of the person and place depicted. Through these new pieces, Pergolesi honors the skill and labor slowly losing ground to automation.
Francesco Pergolesi sees himself as a guardian of a vanishing world where people congregate to talk about families and daily activities. Every Hero unearths a person from his past… and every photograph becomes a new theater set, inspiring him every day, as he continues to wander the streets looking for a connection
With support from the Italian Cultural Institute of Chicago.
See the entire exhibition on our website here.