It’s been an amazing week at AIPAD, and there are still two full days left of the fair! ARTnews was at Wednesday’s VIP preview and included us alongside their highlights of The Photography Show, which you can read here. Learn more about a few of our featured artists below, and visit us today at Booth 402!
Born in Madrid, Spain, Daniel Beltrá is a photographer based in Seattle, Washington. His passion for conservation is evident in images of our environment that are evocatively poignant. His striking, large-scale photographs are shot from the air. This perspective gives the viewer a wider context to the beauty and destruction he witnesses, as well as revealing a delicate sense of scale. After two months of photographing the Deepwater Horizon Gulf Oil Spill, he produced many visually arresting images of the man-made disaster. His SPILL exhibit premiered in August 2010 and has toured around the globe since then.
Over the past two decades, Beltrá’s work has taken him to all seven continents, including several expeditions to the Brazilian Amazon, the Arctic, the Southern Oceans and the Patagonian ice fields. For his work on the Gulf Oil Spill, in 2011 he received the Wildlife Photographer of the Year Award , the Lucie Award for the International Photographer of the Year – Deeper Perspective, and was chosen as one of the six finalists for Critical Mass for Photolucida. In 2009, Beltrá received the prestigious Prince’s Rainforest Project award granted by Prince Charles. Other highlights include the BBVA Foundation award in 2013 and the inaugural “Global Vision Award” from the Pictures of the Year International in 2008. In 2007 and again in 2018, he received awards for his work in the Amazon from World Press Photo. Daniel’s work has been published by the most prominent international publications including The New Yorker, Time, Newsweek, The New York Times, Le Monde, and El Pais, amongst many others.
Daniel Beltrá is a fellow and board member of the prestigious International League of Conservation Photographers.
For more than 12 years, Elizabeth Ernst has created art about the people and entertainers affiliated with the G.E. Circus, a small family owned circus of aging performers. Ernst’s newest works take us into the Shady Grove Nursing Home, located in Clarence, NY, where several of the G.E. Circus performers have retired. Elderly, and suffering from various circus related ailments, many of the G.E. regulars find themselves waiting out their days telling stories about the good old days, substituting facts when their memories fade. But this is no ordinary nursing home. Shady Grove is situated next to a beautiful lake, and has all of the amenities one can ever desire. At Shady Grove, Elizabeth Ernst’s cast of characters share their remaining years with us, as they reflect, dream, fantasize and embellish their personal histories to staff and visitors. Through their eyes, we experience the difficulties and richness of circus life, as it continues to change and evolve.
Elizabeth Ernst is a professor emeritus at Columbia College Chicago, where she taught for 25 years. She is the recipient of numerous Illinois Arts Council Fellowships in Photography, and two Faculty Development Grants from Columbia College. Her work has been exhibited nationally and was recently featured at the Mimi and Ian Rolland Art Center, University of Saint Francis, Fort Wayne, IN. Elizabeth Ernst lives and works in Chicago.
Kate Breakey (B. 1957 Adelaide, South Australia) is best known for her large-scale photographic work with birds and flowers that she painstakingly brings back to life with colored pencils. These pieces can be seen in two monographs, Small Deaths (2001) and Flowers/Birds (2003). In 2014, Breakey turned her focus to the land, and the small details of everyday life: a hummingbird resting on a tree limb, a wilting tulip, figs on a counter, the moon setting over the mountain, trees swaying in the evening dusk. Produced as Orotones (prints made on glass and backed with 23k gold leaf), Breakey creates small objects that command our attention, using an early technique to comment on the beauty, fragility and simplicity of her daily surroundings.
For more than twenty years, Laurent Millet has channeled his innate curiosity to create photographs that question the way objects appear within space and time. Citing R. Buckminster Fuller and Denis Diderot among his influences, Millet creates an artistic vocabulary through metal wire, vineyard posts and barrel hoops – objects prevalent in the coastal town of France in which he resides.
There is a rich history of artists constructing environments simply to be photographed and then disassembled. These created realities were prevalent in the 1980s, as works by Sandy Skoglund, Bernard Faucon, Bruce Charlesworth, James Welling and other artists burst onto the scene. All of these artists worked with objects to create a narrative, captured by the camera. Laurent Millet (b. 1968 France) continues to work in this tradition, using various 19th c. printing techniques to magnify his vision.
As he stated in a 2014 interview in L’Oeil de la Photographie: “I felt like I had to take refuge in something that was comforting and reassuring… This idea brought me back to what I did as a child in the countryside when I would play with wood and stones. I rediscovered that pleasure as an adult… Starting with the first things I built, fishing machines, I felt like a world was opening up in which I could really exist. These objects are powered by my personal fictions, my dream of another life. The photograph is proof of that, a record of the moment, a reward.”
Laurent Millet’s work can be seen in numerous publications including his 2014 book, Les Enfantillages Pittoresques (Filigranes Editions) and in major museum collections, including The Art Institute of Chicago, Maison Européenne de la Photographie (Paris), San Francisco Museum of Modern Art, Los Angeles County Museum of Art, and Fonds National d’art Contemporain (Paris), among others.
The Photography Show, presented by AIPAD
Pier 94, 711 12th Avenue at 55th Street
New York, NY 10019
Saturday, April 7, 2018
VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 8:00 p.m.
Sunday, April 8, 2018
VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 6:00 p.m.
#AIPAD2018 #ThePhotographyShow @AIPADphoto @edelmangallery